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History and Genealogy of the Pearsall Family in England and America:

 

Volume I

 

Front Cover

Inside Front Cover

The Motive

Thanks

Illustrations

Contents

 

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Appendix I

 

Volume II

 

Volume III

 

 

 

 

 

William, Duke of Normandy, and the bishops of the province. Of this building, however, notwithstanding what is said by Ducarel and other authors, it is certain that nothing more remains than the part of St. Romain's tower, and possibly two of the western entrances; though the present structure is believed to occupy the same spot. St. Romain's tower is the square tower, which is low and comparatively plain. It is the work of the twelfth century. It is itself more ancient than would be supposed from the character of its architecture; but it occupied the place of one of still greater antiquity, which was materially damaged in 1117, when the original spire of the church was struck by lightning. This first spire was of stone, but was replaced by another of wood, which was also destroyed at the beginning of the sixteenth century. The spire then raised, the second of wood, but the third in chronological order, is the one which was in existence at the time of the world war. This cathedral is the work of so many different periods, that it almost contains within itself a history of pointed architecture. [Account of a Tour in Normandy, by Dawson Turner, vol. 1.]

On the northern side of the cathedral is situated the cloister-court. On y a few arches of the cloister now remain; and it appears, at least on the eastern side, to have consisted of a double aisle. Here we view the most ancient portion of the tower of Saint Romain. There is a peculiarity in the position of the towers of this cathedral not observed elsewhere. They flank the body of the church, so as to leave three sides free; and hence the spread taken by the front of the edifice, when the breadth of the towers is added to the breadth of the nave and aisles. The circular windows of the tower which look into the court, are perhaps to be referred to the eleventh century; and a smaller tower affixed against the south side, containing a stair-case and covered by a lofty pyramidal stone roof, composed of flags cut in the shape of shingles, may also be of the same era.

The northern transept is approached through a gloomy court, once occupied by the shops of the transcribers and calligraphists, the libraries of ancient .times, and from them it has derived its name. The court is entered beneath a gate-way of beautiful and singular architecture, composed of two lofty pointed arches of equal height, crowned by a row of smaller arcades. In the farthest of the chapels, upon the south side, is the tomb of Rollo, first Duke of Normandy; in the opposite chapel, that of his son and successor, William Longue-Epee, who was treacherously murdered at Pecquigny, in 944, during a conference with Arnoul, Count of Flanders.

 

Note:-The reader will of course understand that this was written before the close of the recent world war, at which time we were entirely dependent upon the old records as they existed before the tides of battle swept through Rouen. As our family interest in this country ceased at the time of the Norman conquest of England it has been thought best to let the text stand as originally written.

 

The effigies of both these princes still remain placed upon sarcophagi, under plain niches in the wall. They are certainly not contemporary with the persons which they represent, but are probably productions of the thirteenth century. At the same time, they may possibly have been copied from others of earlier date. Even imaginary portraits of celebrated men are not without their value; we are

 

 

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